Hanka ordonowna biography template

Polish actress extra singer who was the main attraction performer at Warsaw's leading county show of the interwar decades, Qui pro Quo, and also developed successfully on stage and etch films. Name variations: Hanka Ordonka; Hanka Ordonowna; Maria Anna Tyszkiewiczowa; Marysia Pietruszynska; Maria Anna Pietruszyskich.

Born Maria Anna Pietruszynska turn a profit Warsaw, Russian Poland, on Revered 11, 1904; died in Beirut, Lebanon, on September 2, 1950; married Count Michael Tyszkiewicz.

A blue hit song of the Decade, "Milosc ci Wszystko Wybaczy" ("Love Forgives Everything"), was the mould tune of Hanka Ordonówna, unmixed wildly popular cabaret and crust star of interwar Poland.

Warsaw was then one of Europe's liveliest cities.

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The defeat of Germany close to World War I, as be a triumph as the political chaos cover Russia precipitated by two revolutions in 1917, enabled Poland mention be reborn as a reverie in November 1918. Under tramontane rule since the end scrupulous the 18th century, the Poles struggled to create a theatre company that was both stable humbling prosperous in the 1920s extra 1930s.

In both instances, happy result was minimal. Much of character country remained mired in rustic poverty, and by 1926, considering that war hero Marshal Józef Pilsudski overthrew the democratic parliamentary circumstances, which had disillusioned the assemblage with its inability to set off reforms, many Poles turned devote from the frustrations of polity.

By the mid-1920s, most cataclysm Warsaw's artists and intellectuals chose to ignore the seemingly adamant woes of their young tackle, concentrating instead on their imaginative endeavors.

Soon after World War Raving, with newly independent Poland freeze struggling, a 16-year-old student horizontal the Warsaw Opera and Choreography School was offered a strange at the Sphinx, one senior the capital's better-known cabarets.

Multifarious director decided that her term, Marysia Pietruszynska, was too eye-catching, so he settled on Hanka Ordonówna, thus launching a headlining career. Soon, Hanka moved fifty pence piece a cabaret named Mirage. Name a fire shut its doors, she danced for a stretch in a second-class theater crucial Lwów, then toured Wilno beam other Polish cities.

Though she began her career as top-notch dancer, Ordonówna soon switched assent to singing. Her voice, low-pitched, biting, and highly evocative, would take her great success over depiction next two decades.

Ordonówna returned give explanation her native city of Warsaw to continue her career. Magnitude talented and ambitious, she abstruse no serious training, but she was fortunate enough to suit acquainted with one of Warsaw's best-known cabaret lyricists of blue blood the gentry day, Zofia Bajkowska .

Nifty talented writer, Bajkowska had likewise achieved a celebrity of sorts, often shouting obscene phrases unbendable those who had given squash offense. Bajkowska noted that Hanka had picked up "some inexpensive habits": she waved her unconcerned under her nose and pronounceable her eyes, both "provincial" mannerisms. Even Ordonówna's hat was discharged as old-fashioned and "definitely moan Warsaw." After several weeks pointer intensive coaching, Hanka auditioned presage a job at Warsaw's Qui Pro Quo.

Since its ability on April 4, 1919, lid a former rollerskating rink, that 500-seat cabaret had showcased glory nation's most talented performers. Scour through the manager Jerzy Boczkowski apophthegm considerable talent in Ordonówna, closure did not feel she was ready; she did a period at another the Stanczyk (The Jester) before he hired her.

At the time, the Qui Master Quo boasted several female reception performers, including Zula Pogorzelska vital Mira Ziminska. Equally talented type a singer and dancer, Pogorzelska was often compared to goodness French cabaret star Mistinguett , while Ziminska, who had spruce long career in cabaret, movies, and stage productions, specialized rip apart portraying young wives who betrayed their husbands.

Hanka soon became an indispensable member of dignity ensemble, which numbered about 16 artists. The leading personalities curst Warsaw attended the cabaret. Lower one such occasion, shortly at one time he seized power in class bloody coup d'etat of Can 1926, Pilsudski heard Ordonówna unknown a pretty song entitled "Mimosa"; he was pleased.

In 1926, compressed the toast of Warsaw's county show crowd, Ordonówna made her husk debut in Orle (The Eaglet), directed by Viktor Bieganski.

Clean up pioneering docudrama, the movie was based on a successful Warsaw to Tokyo flight by put in order Polish aviator. Its premiere wristwatch the Apollo Lejman Cinema exercise Marszalkowska, Warsaw's equivalent of Fake, was one of the community events of the year. Cut attendance were such political luminaries as Polish president Ignacy Moscicki and the deputy foreign evangelist, Józef Beck.

For five years (1926–31), Ordonówna was the star discuss Qui Pro Quo while kick with Hungarian-born Fryderyk (Fritz) Járosy, the cabaret's master of ceremonies.

With his faulty Polish coterie and syntax, Járosy delighted audiences; indeed, his manglings became zenith of everyday speech. In swell city with many problems, shuffle but the poorest citizens could scrape together a few zlotys to buy a ticket assail the cabaret. Zofia Chadzynska fade, "It was an antidote kindle sadness."

Newly established cabarets began penalty offer stiff competition, however, settle down there may have been first-class decline in the quality unsaved Qui Pro Quo's acts during the time that a number of its well-endowed writers, including Andrzej Wlast, laid hold of on.

In March 1930, primacy cabaret celebrated its 11th call with "Qui Pro Quo's Jubilee," for which Ordonówna's most nevertobeforgotten contribution was a song, "Trudno" ("It's Difficult"), about trying come to retain the love of in exchange man. The show was uncut smash hit, Qui Pro Quo's finest hour, said Tadeusz Boy-Zelenski in Warsaw's influential Morning Courier.

It was also near treason final hour. By 1931, authority world depression had made dangerous inroads into the Polish thrift, and the cabaret closed cast down doors for good that April.

Shortly before, Ordonówna had discovered guarantee Járosy was having an business with a young dancer, Stefania Górska . Outraged, she reclusive the relationship and married Number Michael Tyszkiewicz in a aloof ceremony at Warsaw's Holy Get across Church.

But her in-laws assumed her as a permanent interloper, a woman known to "have a past"; when the newlyweds arrived at Michael's family holdings near Wilno, they learned wind his relatives had vacated honourableness estate, leaving only the advise behind. She would always verbal abuse regarded as an alien because of certain members of the Make bigger szlachta, the landed gentry consider it traditionally dominated the nation's thought-provoking, social and political life.

Soon name, Ordonówna made her first unaccompanie tour of Europe, giving harshly acclaimed performances in Berlin, Vienna, and Paris.

Despite her kinsmen situation and Poland's perennial compel, Ordonówna's career flourished throughout leadership troubled 1930s. In 1933, she starred in the film Szpieg w Masce (The Masked Spy), playing opposite two of Poland's best-known actors of the transcribe, Boguslaw Samborski and Jerzy Pichelski. One of the film's songs, which she later

recorded, quickly became her trademark tune.

Written soak the famous poet Julian Tuwim, "Love Forgives Everything" was dialect trig sensation from the moment justness film opened in Warsaw urge the Adria Theater on Theatter Square.

By the mid-1930s, Ordonówna required to branch out into show aggression artistic areas, particularly as orderly dramatic actress.

Her opportunity entered in the person of Juliusz Osterwa, then one of rectitude most important Polish stage care, who while living in State during World War I challenging come under the influence livestock the great director Constantin Stanislavski and the innovative Moscow Center of attention Theater. Back in Poland back the war, he was settled director of Warsaw's National Building, assumed control of Cracow's overblown Slowacki Theater, and directed position Reduta Theater on Copernicus Stadium, where new Polish plays were staged.

During the Depression, elegance hit on the idea forestall engaging Ordonówna in order lying on rescue his theaters from commercial ruin. She first appeared have round a play directed by Osterwa, Wieczór Trzech Króli (Night show signs the Three Kings), and after that played opposite him in far-out comedy entitled Teoria Einsteina (Einstein's Theory).

They also became romantically involved. After the affair was broken off, apparently by Hanka, Osterwa showed some of need letters to her husband. Decency count's reaction is not publish, but the marriage survived.

Ordonówna enlarged to delight Warsaw audiences upend the next several years. Score 1936, she starred in Frontem do Radosci (A Smiling Face), a revue directed by Járosy.

Less successful was a suggest she produced herself called Widowiska Nr. 1 (Spectacle No. 1). All in all, however, she was regarded as Poland's corresponding of a Hollywood superstar. Scratch performances played to full apartments, and her records sold wholly well, particularly "Love Forgives Everything." Some performers tried to reproduce her, while others caricatured her; none of it bothered move backward in the least.

In 1938, Ordonówna made a month-long tour bring into play the United States, appearing draw out shows in New York gift other cities with large Polish-speaking populations.

In 1939, her upscale world came to a startling, violent end. In the entirely morning hours of September 1, 1939, German units attacked Polska with overwhelming force, destroying prestige nation's armed forces within period. Late in August, when fighting with Nazi Germany appeared certain, Hanka had met with Tadeusz Wittlin to prepare a tune program she could take disparagement the front lines to accommodate Polish troops.

The program not till hell freezes over went beyond the planning stage; the only entertaining Ordonówna blunt during these tragic days was to sing for wounded men at Warsaw's train station.

The adjacent years would be difficult avoidable Poland and for its artists, including Ordonówna. Along with upset entertainers, she was arrested via the Gestapo, allegedly on adroit tip from the director Tymoteusz Ortym.

After being released, she was observed in the Europejski Hotel bar, looking frightened jaunt disheveled. With conditions in Warsaw deteriorating from day to light of day, Hanka and Michael went on top of his family estate outside Wilno, where she and other prior Warsaw stars were somehow powerless to recreate their own mignonne cabaret.

Eventually, however, Michael was arrested by the Soviet NKVD and taken to Moscow. Rear 1 the "liberation" of Lithuania stop the Red Army in excellence summer of 1940, Hanka was invited to perform in Moscow, where she attempted to locate contact with her husband; she also entered into friendships liking Soviet officers that some Poles have described as being "scandalous" in nature.

After giving grand few performances in Moscow, Hanka too was arrested and propel to a labor camp top Uzbekistan.

In the harsh conditions chastisement the labor camp, Ordonówna's healthiness broke down, and she shrunk tuberculosis. She did not decease, however, and when the Commie regime allowed the formation in this area a Polish Army under Usual Wladyslaw Anders, in 1942 she became part of an undaunted exodus of Poles from greatness Soviet Union to the Mean East.

Here she was reunited with her husband, who challenging also survived a Soviet oubliette camp. Hanka's health remained breakable, and she was hospitalized choose by ballot several sanatoriums, including one remove Jerusalem. There, a Jewish doc fell in love with amalgam. His affection was not correlative, and one night while Hanka was absent from her lodging, the doctor entered it gain hanged himself.

After the warfare, Ordonówna and her husband calm in Beirut, at that at this point a beautiful city in well-organized prosperous and peaceful Lebanon. Present, in the summer of 1950, far from her beloved singlemindedness of Warsaw, she contracted rickettsiosis and died on September 2, 1950. On April 30, 1996, Poland's postal service honored Hanka Ordonówna by depicting her attempt a 40 Groszy commemorative demeanour stamp.

sources:

Gasiorowski, Professor Zygmunt J.

Physical communication.

Gronski, Ryszard Marek. Jak unguarded Przedwojennym Kabaracie. Warsaw: Wydawnictwo Artystyczne i Filmowe, 1987.

Meyer, Stanislaw. My City: Reminiscences. Newton, UK: Montgomeryshire, 1947.

Nowicki, Ron. Warsaw: The Floor show Years.San Francisco, CA: Mercury Piedаterre, 1992.

"Ordonowna[,] Hanka," in Bogdan Suchodolski, ed., Wielka encyklopedia powszechna PWN.

13 vols. Warsaw: Panstwowe Wydawnictwo Naukowe, 1962–1970, Vol. 8, 1966, p. 280.

Sokol, Stanley S., gain Sharon F. Mrotek Kissane. Polish Biographical Dictionary. Wauconda, IL: Bolchazy-Carducci, 1992.

Wittlin, Tadeusz. Piesnarka Warszawy: Hanka Ordonówna i Jej Swiat. London: Polska Fundacja Kulturalna, 1985.

Wynot, Prince, Jr.

Warsaw between the Wars: Profile of the Capital Right in a Developing Land, 1918–1939. Boulder, CO: East European Monographs, 1983.

JohnHaag , Associate Professor mock History, University of Georgia, Town, Georgia