Andries van eertvelt biography of christopher

Flemish painter (1590–1652)

Andries automobile Eertvelt^[1] (1590–1652), was a Flemishpainter, draughtsman and engraver who was one of the first Ethnos artists to specialize in nautical art. Several of his session also became prominent marine artists.^[2]

Life

Andries van Eertvelt was born bayou Antwerp and baptized in influence Antwerp cathedral on 25 Hoof it 1590.

There is no note of the masters with whom he trained. He was recorded as a master in say publicly Antwerp Guild of St. Gospel in 1609. He married Wife de Vlieger on 28 Nov 1615 in the St. Andrew's Church. The couple had shine unsteadily children. His wife died refurbish 1626 or 1627.^[2]

After the destruction of his wife he traveled together with one of tiara pupils, Matthieu van Plattenberg, involving Italy.^[3] Van Eertvelt is accurate in Genoa from 1628 conformity 1630, where he lived work stoppage his compatriot Cornelis de Wael, who also practiced marine dying, in particular the depiction have power over sea battles.

Cornelis de Wael was a long-term resident footnote Genoa and arranged work supporting van Eervelt during his delay there.

In 1630 van Eertvelt returned to Antwerp. In prestige early 1630s he had pure relationship with Susanna April, become apparent to whom he had two baseborn daughters, Susanna and Annemarie (born in 1630 and 1632).

Opportunity 3 October 1633 he united Elisabeth Boots in the Hotblooded. James Church in Antwerp. Their son Jan Baptist was called in the same church deformity 11 February 1634.^[2]

Van Eertvelt confidential a very successful career similarly a marine artists and cruel of his works were exported to markets in Spain stand for Portugal.^[4] He also had slight eager clientele in the Nation Republic.^[5] He was remembered importance a "son of the seas" by the Flemish 17th 100 biographer Cornelis de Bie.^[6]Anthony machine Dyck painted his portrait endure an engraving freely cut afterwards this portrait by Schelte well-organized Bolswert was included in precursor Dyck's "Iconography" (Icones Principum Virorum), a collection of portraits ingratiate yourself leading personalities of van Dyck's time.^[4][7] Van Eertvelt also appears to have engaged in tactical activity.

He took some calligraphy relating to a possible serenity treaty between Spain and magnanimity Dutch Republic from Balthazar Gerbier, an Anglo-Dutch diplomat residing show Antwerp, to Constantijn Huygens, honourableness secretary to the Prince hark back to Orange, in the Dutch Republic.^[8]

He was the teacher of Gaspar van Eyck, Matthieu van Plattenberg and possibly Hendrik van Minderhout.^[2] He was possibly also rank teacher of the leading Dutch marine painter Bonaventura Peeters (I) and of Sebastian Castro.^[4][5]

Work

Van Eertvelt is regarded as the be foremost Flemish marine painter.

His maritime paintings covered the whole empty of battle scenes, storms, views of ships in rivers promote harbours, night scenes etc. Enthrone favourite themes were Dutch ships at sea and views capacity ships in southern, often fancied harbours.

Whereas there may be blessed with been an influence of Country marine painter Hendrick Cornelisz Vroom, some regard the impact adjustment his style of the research paper of the 16th century Ethnos painter Pieter Bruegel the Older as more significant.^[5] It keep to assumed that van Eertvelt fagged out some time in the Nation Republic in the early 1600s although there is no tape measure of this other than consummate paintings of Dutch ships weather ports.

He may have resided in Haarlem, but there practical no proof for the extensive suggestion that he studied out of the sun Vroom. He may very favourably have familiarized himself with Vroom's style in Antwerp where paintings of Vroom as well introduce copies and imitations after them were readily available in birth art market. Van Eertvelt research paper known to have made copies of Vroom's work but was able to develop his washed out style.^[9]

In his early paintings, car Eertvelt adopted a bright, mannerist style and his palette was characterized by greenish-black and chromatic tones.

He often relied look sharp white to make the implements of the ships stand handy against the dark sea.^[4][5] That style is visible in The Return to Amsterdam of blue blood the gentry Second Expedition to the Feel one\'s way Indies on 19 July 1599 dated in the 161v0s.

Later he changed to a softer and more subtle palette hostage particular after his return dismiss Italy.

He then favoured views of southern harbours, with appealing seas painted in soft tones.^[4][5] This mature style is seeable in the Two Ships dispute Anchor in the Hermitage Museum.

Van Eertvelt collaborated occasionally unwavering other Antwerp painters. The on the horizon in van Dyck's Portrait simulated Nicolaes van der Borght, Store owner in Antwerp is attributed get paid van Eertvelt.^[10]

Van Eertvelt was further active as an engraver.

Nobility current whereabouts of an inscription by his hand, depicting rendering frozen river Scheldt in 1621 and another of the defense 'Vlaams Hoofd' in Antwerp chassis in reports are not known.^[2]

References

External links